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The stage represents the female while the monument represents the male. The stage and monument combined symbolizes fertility.

 

  • The philosophy behind this is called ‘Hamemayu Hayuning Bawono’ which means preserving the “worldly” and becoming “hayu” which  can be interpreted as conserving the world.

 

Krapyak Stage to Observe Deers in 1755

Krapyak

Alun - Alun Kidul (the Southern Big Squares)

 

 

 

 

 

 

 

 

 

 

 

 

The Alun - Alun is planted with two Waringin trees at the south side, named "Wok" (which means whickers), and two Waringin trees in the centre, named "Supit Urang" (Supit means circumcision). At the borders of the Alun - Alun, Pakel and Kuweni trees are planted. Moreover, the northside of the Alun - Alun there is a penthhouse, on the left and right side of it planted with Gayam trees.

  • The Philosophy:

    • "Supit-urang" symbolise the most secret part of our body and therefore, these two trees are surrounded by brick wall. ​

    • Pakel - akil balik means adultship

    • Kuweni - ,,wani: which means to dare, brave.

    • Gayam - ,,ayem: which means peaceful or to be satisfied.

Sasana Hinggil

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Sasana Hinggil Bangsal was restored in the era of Sri Sultan Hamengkubuwono VIII in 1956, celebrating the Keraton Yogyakarta in 200 years. 

 

  • Building Fact: The building is facing to the south

 

Alun - Alun Lor (the Northern Big Squares)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Alun - Alun Lor is also planted with two Waringin trees on the centre. The one on the west side is named Kyai Dewa-daru, which in 1988 fell and planted with the seeds from the Majapahit era, named Dewata Daru. Whilst the east side is named Kyai Jana Daru. Unfortunately Kyai Jana Daru was once burnt, and now being replaced by new one named Kyai Wijaya Daru.

 

  • The Philosophy: Waringin trees symbolise the unity of God life and human, which known philosophically in Javanese language as Manunggale Kawula Lan Gusti. Waringin also illustrates justice. 

Kemagangan

 

Kemagangan is the south yard of the main parts of Keraton, there is a building of Kemagangan Bangsal.

 

  • Area Fact: In order to worship the area, people are encouraged not to ride their two-wheeled motorcycle, or bicycle. Instead, they are allowed to push their vehicles.

The Centre of Keraton Yogyakarta

 

The Centre part of the royal palace is located after entering the Danapratapa Gate. It is called the centre because of the most of the parts in the area are important, where the Abdi Dalem (the royal servants) lives, and main activities are being held. 

 

(For details of each buildings in this area, see the map of Centre of Keraton Yogyakarta)

Kemandungan Lor

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Srimanganti Bangsal

 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

This bangsal was used as the welcoming area, for Sultan to greet his special visitors and guests. 

  • The Philosophy: symbolizes where the sultan waits. The sultan is a entity who is believed to came from the realm of eternity, which illustrates that once people die, their souls will have to wait to be called upon the creator. 

 

 

 

 

Trajumas Bangsal

 
 
 
 
 
 
 
 
 
 
 
 
 

 

Bangsal Trajumas (1756) was used as an area for the Midodareni ceremony. Now it’s used to store the gamelan used for Skaten. A red chair and a palanquin can be found here. It was used as a vehicle for Sultan Hamengkubuwono I’s commute to the mosque. Part of it was destroyed in the 2006 earthquake and have been restored. A small monument which was a gift given from the Chinese government to Sultan Hamengkubuwono I, can be found in this room. A ceremonial bed and a lodgement to store old wood remnants from offerings are also placed here.

 

  • The Philosophy: illustrates the sultan’s justice towards his people and his family. Traju: scale. mas: justice 

 

 

Sithinggil

 

Sitihinggil (Tanah tinggi) was previously a hillside. The Kori ward, found on the east wing functions as a station for the officers that secure the Keraton, the ward located on the west wing functions as the town hall.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bangsal Sithinggil

This area is used for daily “pasowanan” rituals and also the place where the sultan is crowned. President Soekarno was sworn in as president here. On top of the ward is written ‘Sampeyan Dalem Ingkang Sinuwun Kanjeng Sultan Hamengkubuwono Ingkak Jumeneng Kaping Wolu’. On the Candra Sengkala

inscription can be found “Pandita Cakra Naga Wani’ (7-5-8-1) indicating the year 1857. Symbols of a dragon called “Hardo Walko” represents as the protector of the people. You can find the Surya Sengkala decorated with ornaments of bees, hands, flowers and leaves. On it is the inscription “Gono Asto Kembang Loto’ (6-2-9-1) which symbolizes its restoration in 1926.

Masjid Gedhe Kauman (The Great Mosque)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Gedhe Kauman mosque was built by Sultan Hamengkubuwono I with the assistance of Kyai Faqih Ibrahim Diponingrat (the first chief of the Kraton) and Kyai Wiryokusomo who was the architect. The mosque was built on May 29 1773.

 

The Gedhe Kauman mosque complex is surrounded by high walls. The main gate of the complex is located on the east side of the Kraton constructed as “semar tinadu”. The architecture of the main building is shaped as a square with a triangular shaped roof. Visitors can enter through the gates in the east and north. There is a three-stage podium made of wood, a mihrab (where the imam leads the prayer), and a construction that resembles a cage, the maksura. At the time, it was the safest place for the Sultan to pray. The foyer of the mosque was shaped as an open rectangle.

 

The floor of the main room is higher than the foyer of the mosque and the foyer is higher than the outside of the mosque. Located the north, east and south side of the mosque are small fountains. The fountains were used to wash the feet of those entering the mosque.

 

Near the mosque, there are two buildings that are called the Pagongan Ler that is situated east of the mosque and the Pagongan Kidul it’s opposite. During the Sekaten ceremony, Pagongan Ler is used to store the gamelans that are used through out the ceremony.

 

An entrance to the mosque complex is located southwest of the Pagongan Kidul, for the Jejak Batu ceremony which is part of the annual Sekaten celebration. In this complex, you can find the Pengulon, which serves as a residence for the village leader and a old cemetery near by. 

Pasar Gedhe Beringharjo (Beringharjo Market)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Beringharjo Market is the largest traditional market in Yogyakarta. Not long after the construction of the Keraton Yogyakarta, it has become the center of economic transaction of Yogyakarta. In March 24 1925, the Sultan assigned the Nederlansch Indische Beton Maatschappij to construct kiosks around the market. By the end of August 1925, 11 kiosks were built and others followed. The name Beringharjo was given by Sri Sultan Hamengkubuwono VIII, who ordered that all local government institutions under the sultanate should be named in Javanese. Beringharjo is derived from the word "beringin" which means Banyan Tree, referring to the Banyan forest in which the market was built on, and "harjo" which means prosperity. The banyan tree symbolizes greatness & protection to the people.

 

 

Visit                                                              for more information about the traditional market.

Tamansari Watercastle

 

 

 

 

 

 

 

 

 

 

 

 

The Taman Sari Watercastle is consisted of 4 complexes:

 

1. An artificial lake on the west

2. Umbul Binangun bath house, south of the artificial lake

3. Ledok Sari rest area and Garitawati pool, south of the Umbul Binangun

4. East of the Umbul Binangun to the Ledok Sari rest area, is an artificial lake and island with a bridge and canal.

From all 4 complexes in Taman Sari Yogyakartam only the Umbul Binangun bath house is still complete, meanwhile the 3 other complexes are habited by the servants of the Kraton. 
 

In the first complex, in which the artificial lake is situated, lays the Pulo Kenongo, Pulo Cemethi, & Sumur Gumuling.

 

a. Pulo Kenongo is one of the islands in the middle of the artificial lake within the Taman Sari complex. A building named the Gedhong Kenongo is located here. It was previously the highest building in Yogyakarta, where the Sultan had a view of the whole city. The underground was made ventilated, to make it a hiding space from the invaders. Gedhong kenongo is still one of the highest buildings in Yogyakarta, making it a great spot for visitors to catch the sunset.

 

b, Pulo Cemethi is located south of Pulo Kenongo which is used as a meditation spot for the sultan. To reach this area, you need to pass through the underground pass. 

 

 c. Sumur Gumuling is located west of Pulo Kenongo and is one of the Sultan's area of prayer. It was intended to be built like a mosque, but it's circular construction makes it unique compared to regular mosques. Sumur Gumuling comprises of 2 floors. The first floor is the praying area for men, while the second floor is for women. It is said that when you speak loudly into the sumur your voice can be heard through out the building. Around the sumur, there are 5 stairways representing the 5 pillars of Islam. 4 of the stairways are connected in the middle. meanwhile the fifth stairway connects all 4 stairways to the second floor. Under the stairways you will find a small watering area to perform wudu (ablution).

 

After battles were fought, Hamengkubuwono 1 and 2 built the Taman Sari as a recreational site for the people. With the principle, “Nginggar Inggar Penggalih”, which roughly translates as “To feel joy and not be fearful of the Dutch East Indies yet remain cautious of possible threats towards the Yogyakarta sultanate.” Sultan Hamengkubuwono I and 2nd believed that the Dutch’s reign would be temporary and that they would eventually leave. It can be described as ‘Wis To to le, Teken-o Wae, Londo bakal Lungo Seko Bumi Kene’. 

Supporting Buildings

AlunKidul
SasanaHg
Kemagangan
Centre Keraton
Kemandungan Lor
Sithinggil
Kauman
Beringharjo
Tamansari

Tugu Monument

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The top of the monument was originally circular which symbolizes unity. It stood about 25 meters. It was destroyed but then restored by the Dutch and reduced to 15 meters. Instead of maintaining its circular shape, the top of the monument was made with a sharp point symbolizing the Dutch's opposition for unity. Later on the Sultan took the meaning to symbolize courage. When the Sultan sits on his throne at the Sitihinggil, the monument can be seen to remind him to focus on his responsibility towards his people.

 

  • The Philosophy: The philosophy in detail: when the Sultan sits at the Sitihinggil facing north as the foundation is Tugu Golong Gilig. In silence or meditation represents the relationship between man & God. In that straight line, there are temptations represented by the Beringharjo market as the center of all the scheming, ugliness, and foulness. Another symbol of temptation is the central government or Kepatihan that represents corrupt power. The Golong Gilig monument is circular at the top and cylindrical on the bottom, showing that there are no angles, meaning that heart needs to be pure, showing a conscious commitment.

 

Tugu
AlunLor

Explore Keraton Yogyakarta

Plengkung Nirbaya (the Nirbaya Gate)

 

Before entering the Alun - Alun Selatan (the Southern Big Square) from the Krapyak Stage, Plengkung Nirbaya is the gate that will welcome everyone. It is also known as the Plengkung Gadhing, one of the well-known Gates surrounding the area of Keraton Yogyakarta

The Straight Road

 
 
 
 
 
 
 
 
 
 
 
 
 
 

The road between the Krapyak Stage and Nirbaya gate is planted with Asem trees an Tanjung trees on both sides. 

  • The Philosophy: pay attention to the pronounciation of these two words

    • Asem - ,,nengsemaken: which means lovely, attractive. Young children are lovely and endearing, therefore they should be treated nicely.

    • Tanjung - ,,jinunjung: which means hopeful, admired. 

Plengkung

Imaginary & Philosophy Line

from Krapyak Stage to Tugu Monument

The Imaginary line is an invisible line which lies between the Merapi Mountain and the South Ocean of Parangkusuma. The line isn't straight and it passes through Keraton Yogyakarta. According to the stories, the sands from Gumuk Pasir Parangkusuma came from volcanic ashes from the Merapi Mountain that were swept by the wind. It symbolizes a relation between the two elements (the mountain & the sea). Both Merapi Mountain and the South Ocean of Parangkusuma are considered as the most powerful natural resources and are respected immensely by the people of Yogyakarta.

 

The Philosophy line is the the visible line that are shown by the road from the Krapyak Stage until the Tugu Monument.  The visible straight line seen from the Tugu – Krapyak Stage- that symbolizes the ‘Sankan Paraning Dumadi Manunggaling Kawulo Gusti’ philosophy which roughly translates as ”You exist in this life, and wherever you will go afterwards, remember that you were created will be united once again with God”. In Islam this philosophy can be described as Inilillahi Waina Ilaihi Rodjiun. Kyai Wiji is a lamp placed in the center of the Keraton which represents a flame that will never go out. A light that will guide those in the darkness. 

 

 

Tri Hita (The relation between the Krapyak Stage to the Tugu Monument) 

 

The stage represents the female while the monument represents the male. The stage and monument combined symbolizes fertility. The philosophy behind this is called ‘Hamemayu Hayuning Bawono’ which means preserving the “worldly” and becoming “hayu” which  can be interpreted as conserving the world. The relation is shown by the buildings, roads, kinds of trees which are intentionally planted which symbolise the genesis of a human.

Krapyak Stage

Line

Photo courtesy of Nana Je

the road
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